Gunvor Nelson stares intently at her mother Carin, a woman whose body has been devastated by the challenges of her last days on this earth. In three astute shots, Nelson looks with honesty rather than awe at a woman whose spirit has somehow flown away but whose body still demands a share of our time and our space.
我还是觉得单镜头的特写更具表现力。但是导演肯定想利用镜头让老人一步步远离世界,用画面让老人一步步接近天堂。
1991年拍这样的仿默片,意义不是很大
这个也太简单点了
fade away
三次变换景别展示死亡
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