Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.
后新浪潮电影,very good lighting, very interesting mis-en scene. Simone remains a spectator of the world with her edginess and cool leather pants. She seems to stay in the liminal space between the street and the theatre, as an usher of life.
70年代的维基亚利与美德。2.0
la comédie française这个梗,,,
Marie-Claude Treilhou1980年的后新浪潮处女作,非常好看,影史大遗珠。三个场景:色情影院、女同酒吧和一个陌生男人的车里,都有种戈达尔式的“狗血”,但对话和氛围行云流水,真实生活的“平淡”和幽默堵死了观众的猎奇之路。Simone在貌似不真实的生活里活得很真实,她感受到的唯有疲倦,这是她的出淤泥而不染。非常喜欢!
灰暗边缘审视世界的女性,但并不是在彰显女权主义,色情影院只是一个身处迷幻、阴暗中巴黎的缩影,寂寞与孤独的滋味掩盖不了彼时疫情流行前(80年代的AIDS)最后末日的狂欢,更畸形叛逆的城市体会迷失了人的心性,也忠实记录了它为填补空虚带来的快乐
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